Perhaps you grew up loving fairy tales, where the beautiful princess ends up living happily ever after with a handsome prince. Maybe you watch rom-coms where the guy and girl end up together despite impossible odds. Maybe you’re addicted to The Bachelor or The Bachelorette and what happens to the lucky couples. When love stories end predictably, how does that make you feel? How do you feel when they end unpredictably, like last year’s La La Land?
Maybe you’ve never thought much about it. Mandy Len Catron has. The English professor at the University of British Columbia in Vancouver, B.C., loves love stories. Throughout her life, she especially loved the love story of her parents, a meet cute between the new football coach and a cheerleader asked to interview him for the school newspaper. So when they divorced after three decades of marriage, when Catron was 26, she began to look deeper into her own nearly decade-long relationship, which was faltering, and what she thought she knew about love. In 2015, she wrote a Modern Love essay for The New York Times, “To Fall in Love With Anyone, Do This” — one of the most-read of the series — and now has a just-released book, How to Fall in Love With Anyone, part-memoir, part exploration about the love stories that we absorb and perhaps allow to dictate our ideas of what love “looks like.”
As she writes in her charming and engaging book:
For most of my life, I’d conceptualized love as something that happened to me. It isn’t merely the stories we tell about love that encourage this attitude, but the very words themselves. In love, we fall. We are struck, we are crushed. We swoon. We burn with passion. Love makes us crazy or it makes us sick. Our hearts ache and then they break. I wondered if this was how love had to work — or if I could take back some control. Science suggested that I could.
One thing she noticed when her Modern Love story, based on research by psychologist Arthur Aron, went viral was that people were eager to discover a “secret” to finding love:
[W]e prefer the short version of the story. My Modern Love column had become an oversimplified romantic fable suggesting there was an ideal way to experience love. It made love predictable, like a script you could follow.
Even Catron didn’t come to love her current partner until months after they tried Aron’s research themselves, when they’d gotten to know each other better. (As an aside, Catron and her partner used the questions posed in The New I Do to create a relationship contract that, she writes, “gave us a sense of control” as they merged their lives; Thank you, Mandy!)
We do, of course, have a love script of sorts — meet, date, fall in love, live together, marry, buy a house, have kids. It’s an outdated script; nowadays, many couples have kids first, or buy a house first while living together or apart, or never marry, or never have kids. The romantic script isn’t guiding us so well anymore — and that’s not necessarily a bad thing. The problem is, as Catron beautifully explores in her book, we still buy into it. Our view of love is limited, something that her fellow UBC professor Carrie Jenkins explores in her book, What Love Is and What It Can Be.
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